



The Invention of Angela Carter
A Biography
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- $26.99
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- $26.99
Publisher Description
Widely acknowledged as one of the most important English writers of the last century, Angela Carter's work stands out for its bawdiness and linguistic zest, its hospitality to the fantastical and the absurd, and its extraordinary inventiveness and range.
Her life was as vigorously modern and unconventional as anything in her fiction. This is the story of how Angela Carter invented herself - as a new kind of woman and a new kind of writer - and how she came to write such seductive and distinctive masterworks as The Bloody Chamber, Nights at the Circus, and Wise Children. Because its subject so powerfully embodied the spirit of the times, the book also provides a fresh perspective on Britain's social and cultural history in the second half of the twentieth century. It examines such topics as the 1960s counterculture, the social and imaginative conditions of the nuclear age, and the advent of second wave feminism.
Author Edmund Gordon has followed in Angela Carter's footsteps - travelling to the places she lived in Britain, Japan, and the USA - to uncover a life rich in adventure and incident. With unrestricted access to her manuscripts, letters, and journals, and informed by interviews with Carter's friends and family, Gordon offers an unrivalled portrait of one of the twentieth century's most dazzlingly original writers.
This sharply written narrative will be the definitive biography for years to come.
PUBLISHERS WEEKLY
Few biographies are as consistently spot-on as this one of Angela Carter (1940-1992). Debut author Gordon, a lecturer in English at King's College London who was officially authorized by Carter's estate, uses a wealth of primary sources to trace the life and career of a daring, quirky, and preeminent writer of the late 20th century. As he shows, Carter, whose acclaimed works include the magic realist novel The Magic Toyshop and the retold-fairy-tale collection The Bloody Chamber, represents a distinct type in English history: a person from a modest class background whose innovative art was made possible by the country's post-WWII socialist democratic consensus. After a brief career as a journalist, Carter not only attended university for free, but was paid a stipend. Gordon's construction of Carter as a generous feminist who never lost the common touch comes alive on the page, and, beyond that, Gordon offers enough historic background to vividly evoke a mid- and late-20th-century world. This bio never flags, never condescends, and never loses its pace. One might not read this longish book in a single sitting, but it's a page-turner highly recommended to anyone looking for an entertaining and intelligent read.