In Love with Movies
From New Yorker Films to Lincoln Plaza Cinemas
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4.0 • 1 Rating
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- $24.99
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- $24.99
Publisher Description
“All that I do is go out and look at films and choose the ones I want to play—films that stimulate, and give some insight into our lives. I hope that people will come, but if they don’t, that’s okay too.”
Daniel Talbot changed the way the Upper West Side—and art-house audiences around the world—went to the movies. In Love with Movies is his memoir of a rich life as the impresario of the legendary Manhattan theaters he owned and operated and as a highly influential film distributor.
Talbot and his wife, Toby, opened the New Yorker Theater in 1960, cultivating a loyal audience of film buffs and cinephiles. He went on to run several theaters including Lincoln Plaza Cinemas as well as the distribution company New Yorker Films, shaping the sensibilities of generations of moviegoers. The Talbots introduced American audiences to cutting-edge foreign and independent filmmaking, including the French New Wave and New German Cinema.
In this lively, personal history of a bygone age of film exhibition, Talbot relates how he discovered and selected films including future classics such as Before the Revolution, Shoah, My Dinner with Andre, and The Marriage of Maria Braun. He reminisces about leading world directors such as Sembène, Godard, Fassbinder, Wenders, Varda, and Kiarostami as well as industry colleagues with whom he made deals on a slip of paper or a handshake.
In Love with Movies is an intimate portrait of a tastemaker who was willing to take risks. It not only lays out the nuts and bolts of running a theater but also tells the story of a young cinephile who turned his passion into a vibrant cultural community.
PUBLISHERS WEEKLY
In this posthumous work, Talbot (1926–2017) brings back to glittering life the "golden age" of New York City's art house cinemas with an enchanting look at his life working in film. From opening the Upper West Side's New Yorker Theater in 1960 to running the Lincoln Plaza Cinemas from 1976 until his death (which was shortly followed by the theater's shuttering), Talbot details his tenure as a film distributor and exhibitor committed to "eliminat barriers between filmmakers and their audience." Of his career highlights, he recalls bringing 1985's Shoah to the U.S. for the first time (a "moral undertaking" that brought the French film commercial success) and renders engrossing sketches of the many directors he worked with—among them Roberto Rossellini, Jean-Luc Godard, and Louis Malle, whom he helped launch 1981's My Dinner with André, which ran for 53 weeks and grossed $5 million theatrically. Talbot's infectious enthusiasm is on full display, perhaps most when he waxes rhapsodic about his favorite comic actors: W. C. Fields was the "Don Quixote of domestic life... voic what others dared not: the shackles of life are infinite, and the best we can do is turn it into comedy." Film buffs will find much to marvel at in this terrific book.
