The Importance of Music to Girls
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- $11.99
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- $11.99
Publisher Description
The Importance of Music to Girls is the story of the adventures that music leads us into—how it forms and transforms us. As a soundtrack, it's there in the background while we go about the thrilling and mortifying business of growing up: raging, falling in love, wanting to change the world. Lavinia Greenlaw turns the volume up loud, and in prose of pure fury and beauty makes us remember how the music came first.
For Greenlaw, music—from bubblegum pop to classical piano to the passionate catharsis of punk rock—is at first the key to being a girl and then the means of escape from all that, a way to talk to boys and a way to do without them. School reports and diary entries reveal the girl behind them searching for an identity through the sounds that compelled her generation. Crushing on Donny Osmond and his shiny teeth, disco dancing in four-inch wedge heels and sparkly eye shadow, being mesmerized by Joy Division's suicidally brilliant Ian Curtis—Greenlaw has written a razor-sharp remembrance of childhood and adolescence, filtered through the art that strikes us at the most visceral level of all.
PUBLISHERS WEEKLY
In her first memoir, British novelist and poet Greenlaw (Mary George of Allnorthover) tells of coming to know the world and her place in it through her love of music. The story begins as she first awakens to her inchoate senses, a tiny child waltzing with her father, lulled by her mother's singing and clamoring amid the boisterous play of her three siblings and the entire family's constant chatter. She discovers that outside her home, the world is a series of social rings she must struggle to break into, from joining Ring-a-ring o' Roses games to finding a sense of belonging as a plainly English girl in a culturally diverse school. Growing up in the late 1960s and '70s, she's captivated by her transistor radio and the shifts in pop culture that it heralds, from hippie music to glam rock to disco. As she matures, she swears her allegiance to the latter, moving en masse with primping and dancing girlfriends. She then turns to punk, which "neutralized and released" her from the weight of femininity, and then to new wave, which suited her "seriousness and pretensions." Her punk sensibilities confuse her sense of how to love and be loved, "how to have feelings without ironizing them too." Greenlaw's coming-of-age story is smartly and tenderly told, likely to snag readers like an infectiously catchy tune.