Indelicacy
A Novel
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3.9 • 11 Ratings
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- $9.99
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- $9.99
Publisher Description
FINALIST FOR THE CENTER FOR FICTION'S FIRST NOVEL PRIZE
"Cain’s small but mighty novel reads like a ghost story and packs the punch of a feminist classic." —The New York Times Book Review
A haunted feminist fable, Amina Cain’s Indelicacy is the story of a woman navigating between gender and class roles to empower herself and fulfill her dreams.
In "a strangely ageless world somewhere between Emily Dickinson and David Lynch" (Blake Butler), a cleaning woman at a museum of art nurtures aspirations to do more than simply dust the paintings around her. She dreams of having the liberty to explore them in writing, and so must find a way to win herself the time and security to use her mind. She escapes her lot by marrying a rich man, but having gained a husband, a house, high society, and a maid, she finds that her new life of privilege is no less constrained. Not only has she taken up different forms of time-consuming labor—social and erotic—but she is now, however passively, forcing other women to clean up after her. Perhaps another and more drastic solution is necessary?
Reminiscent of a lost Victorian classic in miniature, yet taking equal inspiration from such modern authors as Jean Rhys, Octavia Butler, Clarice Lispector, and Jean Genet, Amina Cain's Indelicacy is at once a ghost story without a ghost, a fable without a moral, and a down-to-earth investigation of the barriers faced by women in both life and literature. It is a novel about seeing, class, desire, anxiety, pleasure, friendship, and the battle to find one’s true calling.
PUBLISHERS WEEKLY
Cain (Creature) upends fairy tale endings in her stimulating story of insidious oppression. Vit ria works as a cleaner at an art museum in an unnamed large, modern city, skips meals to afford simple splurges like a nice blouse, and yearns almost compulsively for the time and freedom to write about art. She commiserates with her lazy co-worker Antoinette, who longs for a husband. When Vit ria marries a rich man, she glides into a life of ease only marred by quiet clashes with her cold housekeeper. Her husband does not understand the unfocused, self-reflective observations she finally has time to write, but pampers her with everything she wants. Vit ria feels naggingly unsatisfied and starts ballet lessons, where she befriends the most promising student, Dana. Vit ria's sense of being stifled increases when she reconnects with Antoinette, now happily married to a poor man, and watches Dana move into professional dancing roles. She hatches a devious plot to achieve a different kind of freedom. Vit ria's deadpan voice and Cain's finespun descriptions of quotidian disappointment energize this incisive tale. This novel disquiets with its potent, swift human dramas.
