The Sister Who Ate Her Brothers: And Other Gruesome Tales
-
-
4.8 • 4 Ratings
-
-
- $9.99
-
- $9.99
Publisher Description
In this collection, fourteen of fairy tales from around the world are retold for young readers, restored to their original, grisly versions.
Do you dare read this collection of terrifyingly gruesome tales? In this gripping volume, author Jen Campbell offers young readers an edgy, contemporary, and inclusive take on classic fairy tales, taking them back to their gory beginnings while updating them for a modern audience with queer and disabled characters and positive representation of disfigurement.
Featuring fourteen short stories from China, India, Ireland, and across the globe, The Sister Who Ate Her Brothers is an international collection of the creepiest folk tales. Illustrated with Adam de Souza’s brooding art, this book’s style is a totally original blend of nineteenth-century Gothic engravings meets moody film noir graphic novels. Headlined by the Korean tale of a carnivorous child, The Sister Who Ate Her Brothers is a truly thrilling gift for brave young readers.
PUBLISHERS WEEKLY
As gleefully retold by Campbell, traditional tales from Africa, Asia, Europe, and North and Central America reflect two layers of revision—a reversion to grisly details usually squeamishly edited out, and updated plots and characters that reflect a more inclusive worldview, with queer and disabled protagonists of many ethnicities. Some stories chill, such as "The Souls Trapped Under the Ocean (Ireland)," in which a man who uses sign language is troubled to discover that the merman he loves has "tiny pieces of other people's souls, all stitched together" in a composite soul. Others are more forthrightly gory: "The Boy Who Tricked a Troll (Norway)" features a disembowelment, with "guts tumbling out" and landing "with a wet splash," and in "The Princess Who Ruled the Sea (Inuit)," a king uses an axe to cut off his daughter's fingers "one by one." De Souza's conventionally hip, cartoonish illustrations blunt the well-told tales' sharp edges, but not their messages of resourcefulness and diversity. Ages 9–12.
