The Office of Mercy
A Novel
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- $4.99
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- $4.99
Publisher Description
A thrilling debut of a postapocalyptic world for fans of The Hunger Games
Weaving philosophy and science together into a riveting, dystopian story of love and adventure, The Office of Mercy illuminates an all-too-real future imagined by a phenomenal new voice in fiction.
Twenty-four-year-old Natasha Wiley lives in America-Five—a high-tech, underground, utopian settlement where hunger and money do not exist, everyone has a job, and all basic needs are met. But when her mentor and colleague, Jeffrey, selects her to join a special team to venture Outside for the first time, Natasha’s allegiances to home, society, and above all to Jeffrey are tested. She is forced to make a choice that may put the people she loves most in grave danger and change the world as she knows it.
The Office of Mercy is speculative fiction at its best with a deeply imagined, lush world, high-stakes adventure, and romance that will thrill fans of Suzanne Collins, Margaret Atwood, Justin Cronin, and Kazuo Ishiguro.
PUBLISHERS WEEKLY
In this thoughtful debut, Djanikian explores the disconnect between a utopian vision and its dystopian implementation. America-Five is one of several self-contained habitats built in an attempt to survive in an overcrowded and deprived world. Once the habitats' settlers set off the Storm, the world's population dropped from a staggering 59 billion to mere hundreds of thousands. Three hundred years later, population is tightly controlled both within and outside the settlements, with each habitat's Office of Mercy benevolently killing members of the starving, scrounging outside tribes to ease their suffering. Natasha Wiley, a young citizen assigned to the Office of Mercy, knows empathy will only get in the way of her necessary work, but when she comes into close contact with one of the tribes, her reaction sets off world-changing events. Despite the emphasis on human emotion, Djanikian's approach is more cerebral than emotionally satisfying, and readers may respond by trying to poke holes in the intriguing premise rather than enjoying the ride.