Deluge
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- $9.99
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- $9.99
Publisher Description
“To write a series of poems out of extreme illness is a bracing accomplishment indeed. In Deluge… Leila Chatti, born of a Catholic mother and a Muslim father, brilliantly explores the trauma." —Naomi Shihab Nye, The New York Times
In her early twenties, Leila Chatti started bleeding and did not stop. Physicians referred to this bleeding as flooding. In the Qur’an, as in the Bible, the Flood was sent as punishment. The idea of disease as punishment drives this collection’s themes of shame, illness, grief, and gender, transmuting religious narratives through the lens of a young Arab-American woman suffering a taboo female affliction. Deluge investigates the childhood roots of faith and desire alongside their present day enactments. Chatti’s remarkably direct voice makes use of innovative poetic form to gaze unflinchingly at what she was taught to keep hidden. This powerful piece of life-writing depicts Chatti’s journey from diagnosis to surgery and remission in meticulous chronology that binds body to spirit and advocates for the salvation of both. Chatti blends personal narrative, religious imagery, and medical terminology in a chronicle of illness, womanhood, and faith.
PUBLISHERS WEEKLY
Chatti turns fear and shame into empowerment in her unflinching debut as she relays her tumultuous journey as a young Tunisian American battling an illness that resulted in continuous uterine bleeding. Chatti explores the cognitive dissonance of maintaining faith despite inherent religious misogyny. These poems are confessional, proverbial, and fatalistic, yet still maintain humility and agency over her story and pain. An example of her stylistic finesse and metaphorical mastery can be seen in her poem "Tumor," in which she laments her illness by wrapping her words into a spiral "nimbus," the text waning as it curls to the centerfold: "it requires... to speak on its behalf, to determine its name... it resembles too, I think, a fruit if fruit were buried, a chthonic pomegranate, a Pompeian fig cocooned, or else the dark concentrate of the moon, one of its seas, or the orphan planet of the dead, motherless stone, God of No and Never." Chatti translates a gritty, traumatizing experience into a hypnotic, transcendental topography of the human spirit.