Comes the War
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4.8 • 5 Ratings
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- $12.99
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- $12.99
Publisher Description
Set against the heroism and heartbreak of WW II, former Army officer Ed Ruggero's Comes the War brilliantly captures the timeless stories of ordinary people swept up in extraordinary times
April 1944, the fifty-fifth month of the war in Europe. The entire island of Britain fairly buzzes with the coiled energy of a million men poised to leap the Channel to France, the first, riskiest step in the Allies’ long slog to the heart of Germany and the end of the war.
Lieutenant Eddie Harkins is tasked to investigate the murder of Helen Batcheller, an OSS analyst. Harkins is assigned a British driver, Private Pamela Lowell, to aid in his investigation. Lowell is smart, brave and resourceful; like Harkins, she is prone to speak her mind even when it doesn’t help her.
Soon a suspect is arrested and Harkins is ordered to stop digging. Suspicious, he continues his investigation only to find himself trapped in a web of Soviet secrets. As bombs fall, Harkins must solve the murder and reveal the spies before it is too late.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
PUBLISHERS WEEKLY
Set in April 1944, Ruggero's taut sequel to 2020's Blame the Dead finds Lt. Eddie Harkins, a former Philadelphia beat cop, reassigned to the London branch of the Office of Strategic Services after a stint as an MP. On Harkins's first day on the new job, he's dispatched to an alley to examine the corpse of Helen Batcheller, an economic analyst for the OSS. Someone slashed her throat and left her to bleed to death. The absence of one of the dead woman's shoes suggests that she may have been attacked by a sex fetishist who removed the footwear as a souvenir. Other suspects include Soviet operatives who Batcheller knew were secretly working to plant moles in the British and American governments. These ostensible allies might have silenced her to preserve their subversive mission. The sensitivity of the victim's work complicates Harkins's search for the truth. Ruggero recreates the period's feel, months before the Normandy invasion, while playing fair with the reader. His superior storytelling makes comparisons to James Benn appropriate.
