The Fourth Island
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- $4.99
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- $4.99
Publisher Description
Dark, mournful, and beautiful, Sarah Tolmie's The Fourth Island is a moving and unforgettable story of life and death on the hidden Irish island of Inis Caillte.
Huddled in the sea off the coast of Ireland is a fourth Aran Island, a secret island peopled by the lost, findable only in moments of despair. Whether drowned at sea, trampled by Cromwell's soldiers, or exiled for clinging to the dead, no outsiders reach the island without giving in to dark emotion.
Time and again, The Fourth Island weaves a hypnotic pattern with its prose, presaging doom before walking back through the sweet and sour moments of lives not yet lost. It beautifully melds the certainty of loss with the joys of living, drawing readers under like the tide.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
PUBLISHERS WEEKLY
This lovely, mournful historical fantasy from Tolmie (The Little Animals) explores the uneasy relationship between people and place. In 1840, a stranger's body washes up on the shores of Inis M r, one of Ireland's three Aran Islands, wearing a sweater that is undeniably Aran work, but doesn't come from any known village on the islands. Shortly thereafter, residents of Inis M r begin to disappear and wash up alive on Inis Caillte, a fourth Aran Island that doesn't show up on any map. Populated solely by the lost, the island heals the ailments of all those who reach its shores, among them Nellie, a deaf woman who arrives to find her hearing restored, and Jim, who finds happiness and family there after giving in to depression. As the denizens of Inis Caillte contend with their own loves, achievements, and losses, a creeping despair sweeps across Inis M r. Drawing on themes of community, redemption, pain, and healing, the story has a lovely slice-of-life feel, but the unresolved ending will leave some readers unsatisfied. Still, the narrative voice is captivating, with the rich, conversational tone of a storyteller sitting at a fireside. The contemplative style, low stakes, and small cast is reminiscent of Ursula K. Le Guin's Earthsea Cycle and is worthy of the association.