Stephen Spender
A Life in Modernism
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- $11.99
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- $11.99
Publisher Description
The first critical biography of one of the twentieth century's towering literary figures.
Stephen Spender was a minor poet, but a major cultural influence during much of the century. Literary critic, journalist, art critic, social commentator, and friendend of the best-known cultural figures of the modernist and postmodernist periods (Yeats, Woolf, Sartre, Auden, Eliot, Isherwood, Hughes, Brodsky, Ginsberg-a "who's who" of contemporary literature). Spender's writing recorded and distilled the emotional turbulence of many of the century's defining moments: the Spanish Civil War; the rise and fall of Marxism and Nazism; World War II; the human rights struggle after the war; the Vietnam protest, the Cold War, and the 1960s sexual revolution; the rise of America as a cultural and political force. As David Leeming's fascinating biography demonstrates, Stephen Spender's life reflected the complexity and flux of the century in which he lived: his sexual ambivalence, his famous friends, the free-love days in Germany between the wars, the CIA-Encounter scandal. In David Leeming's capable hands, this comprehensive, unauthorized study of Spender is a meditation on modernity itself.
PUBLISHERS WEEKLY
Spender (1909-1995) was the longest-lived and certainly the most "clubbable" (to use a quaint English phrase) of the modernist English poets who made their names in the early 1930s by rebelling against the genteel Georgian school. His contemporaries included W.H. Auden, Christopher Isherwood, Louis MacNeice and C. Day Lewis. Spender was a considerable poet, though he lacked the range and brilliance of Auden; and, as this study makes clear, he was a consummate literary politician. Spender loved the company of those he called, in a famous line, the "truly great," and assiduously cultivated them throughout a long life. This made him a remarkable literary editor (at Encounter, which, unfortunately, turned out to be sponsored by the CIA); all he had to do for a star-studded table of contents was call his friends for contributions. He was also an industrious lecturer, an indifferent novelist and the author of one of the better intellectual memoirs, World Within World. This book caused a stir in the closing years of the poet's life when he sued David Leavitt for fictionalizing material from it about one of his many homosexual encounters. Bringing suit seemed an odd thing for this endlessly agreeable and accommodating man to have done--though some (like Auden) suggested that the apparently dreamy, friendly Spender had a much tougher, more ruthless side than he cared to show. This is a perfectly adequate traversal of a life of some significance, but depending as it does entirely on letters and journals, with no interviews or secondary sources, it is rather colorless, its few anecdotes dutiful rather than sparkling.
