The News Where You Are
A Novel
-
- $11.99
-
- $11.99
Publisher Description
From the bestselling author of What Was Lost comes a spirited literary mystery about a television anchorman's search for the truth about the disappearances that surround him
Frank Allcroft, a television news anchor in his hometown (where he reports on hard-hitting events, like the opening of canine gyms for overweight pets), is on the verge of a mid-life crisis. Beneath his famously corny on-screen persona, Frank is haunted by loss: the mysterious hit-and-run that killed his predecessor and friend, Phil, and the ongoing demolition of his architect father's monumental postwar buildings. And then there are the things he can't seem to lose, no matter how hard he tries: his home, for one, on the market for years; and the nagging sense that he will never quite be the son his mother—newly ensconced in an assisted-living center—wanted.
As Frank uncovers the shocking truth behind Phil's death, and comes to terms with his domineering father's legacy, it is his beloved young daughter, Mo, who points him toward the future. Funny and touching, The News Where You Are is a moving exploration of what we do and don't leave behind, proving once more that Catherine O'Flynn's writing "shimmers with dark brilliance" (Chicago Tribune).
The News Where You Are is a 2011 Edgar Award Nominee for Best Paperback Original.
PUBLISHERS WEEKLY
O'Flynn follows her Costa-winning debut, What Was Lost, with a strong sophomore effort set in her hometown of Birmingham, England. Frank Allcroft has a loving wife and daughter, and a comfortable life as a local TV news anchor, but years of reporting soft news has left him dissatisfied. As that dissatisfaction reaches its nadir, the demolition of buildings designed by his late father, the somewhat mysterious death of his on-screen partner and mentor, Phil, and Frank's obsession with people who die alone lead him down a path of self-discovery. Along the way, Frank comes to terms with some lingering family issues and learns what really happened to Phil, but, in the end, it is Frank's daughter, Mo, who powers the biggest change. The mystery of Phil's death, unfortunately, comes across as little more than a plot device, but, as with most novels of middle-aged spiritual humdrum, the story is only as strong as its hero, and, in Frank, O'Flynn's created a winning if slightly pale near-everyman lost soul.