Outside Wonderland
A Novel
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4.4 • 10 Ratings
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- $11.99
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- $11.99
Publisher Description
Alice, Griffin, and Dinah Stenen's mother and father died tragically when they were quite young. The loss haunts them into adulthood. Alice is a stage actress in New York who can't commit to a relationship. When she meets Ian she's smitten, but suspects it's Ian's four-year-old son that really captivates her. Griffin and his longtime partner are settled into a contented domesticity, however Theo's insistence that they adopt a child throws Griffin into a panic. When he refuses to cooperate, the crack in their relationship widens. Dinah, the youngest, has a short, passionate love affair that leaves her pregnant and alone when she discovers the father is engaged to someone else. The three look to each other for support during this rough period but they falter. What they don't know is that their parents are watching them from a place outside time and space--worrying, reminiscing, and perhaps guiding their children as each makes their tentative way towards happiness. In luminous prose, Cook tells the story of these tender souls and a love that knows no boundaries.
PUBLISHERS WEEKLY
When the three very young Stenen children lose their mother in a freak household accident and then, eight years later, their father, the tragedy of their being orphaned has far-reaching consequences, leaving them unmoored and coping with adulthood in wildly different ways. The trick is that the parents are watching over them from the great beyond and telling the story. Alice, the eldest, is an actress, detached from feelings until she meets Ian, a single father who seduces her into a world of family and stability. Griffin has a long-term relationship with partner Theo, but Theo's near obsessive desire to have children drives Griffin into the arms of another man. The youngest, perennial optimist Dinah, unexpectedly pregnant and adrift, returns to the bosom of family to sort through her faith and uncertainty. Overly sentimental, Cook's (Departures) latest suffers from a number of flaws. It is easy to feel instantly sorry for the three orphans, but harder to appreciate their loss when their dead parents are so present. That choice makes for a warm and fuzzy aura that telegraphs the message that everything will turn out fine and eliminates any possibility of drama or meaningful grief. The result is tedious and annoying.
