The Fiend in Human
A Victorian Thriller
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- $12.99
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- $12.99
Publisher Description
It's 1852, and the ranks of the London poor have doubled. In the swollen shadow of the great St. Giles Rookery, fallen women attract the perfumed dandies of the West End into a vicious circle of venality, vanity, and vice.
Edmund Whitty, correspondent for The Falcon, the city's second-best sensational tabloid, writes whatever will stimulate the reader, delay his (increasingly physical) creditors, and supply him with the alcohol and opiates required to see him through the day. His most recent triumph was to supply a name for the fiend in human form who has murdered an uncertain number of prostitutes with a white silk scarf: Chokee Bill. Chokee Bill incited a garroting panic that paralyzed the business of London---until the arrest of one William Ryan. Normality has returned. The hangman, Mr. Calcraft, as dusty and dreary as death itself, awaits.
Broke again and in search of crisp copy, Whitty makes a shocking but not altogether surprising discovery: the white-scarf slayings have continued. When he endeavors to find the real Chokee Bill, he is greeted with emphatic hostility on all sides.
This thrilling Dickensian tale offers galvanizing suspense and an evocative and witty vision of life in Victorian London.
PUBLISHERS WEEKLY
Canadian writer Gray portrays the mean streets and byways of 1852 London with a skill worthy of Dickens, but handles the mystery elements of this uneven debut with less success. A cloud of fear over the city has been lifted by the arrest of William Ryan (aka Chokee Bill), a Jack-the-Ripper precursor who has strangled and mutilated five prostitutes. Edmund Whitty, a dissolute and struggling freelance journalist, attempts to improve his fortunes and stave off his debtors by using the upcoming execution of the monster as the basis for a series of articles. He decides to credit the accused's protestations of innocence to justify his own inquiry into the killings and his printed attacks on the hypocrisy that tolerates the desperate poverty and squalor of London's slums. Evidence that the murders have continued despite Ryan's incarceration bolsters Whitty's crusade. Gray masterfully conveys mid-Victorian society, from the haughty upper classes to the oppressed poor. Even minor characters, such as the bartender at one of the reporter's favorite haunts, come to vivid life. Unfortunately, the entrance of the real Chokee Bill into the action rather spoils the suspense, while a plot twist toward the end will surprise few readers. The author may not be the next Caleb Carr, but his considerable gifts bode well for future forays into crime fiction. FYI:A performer and composer, Gray is best known for his stage musical, Billy Bishop Goes to War.
