Lost Geography
A Novel
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- $11.99
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- $11.99
Publisher Description
A heart-breaking novel by a prize-winning young writer
In a debut novel that is a triumph of wit and feeling, Charlotte Bacon explores the transitions that sixty years visit upon the members of an unforgettable family--a Saskatchewan woman and her Scottish husband; their plucky daughter, who moves to Toronto; and her remarkable daughter, who lives in France with her Turkish-English husband. Lost Geography takes the complexity of migration as its central subject: Why do landscape, work, and family lock some people in place and release others? In settings both rural and urban, these stalwart, tragically dispersed yet resilient people respond not only to new environments and experiences but to the eruption of sudden loss and change.
As the settings and characters shift in this wise, resonant book, readers are invited to see how habits of survival translate from one generation to another. How are we like our forebears? How does circumstance make us alter what our heritage has told us is important? With unfailing subtlety and elegance, Lost Geography teaches us, in a luminous sequence of intense personal dramas, that what keeps us alive isn't so much our ability to understand the details of our past as having the luck and courage to survive the assaults of both the present and history.
PUBLISHERS WEEKLY
Everything goes in cycles in Bacon's quietly impressive debut novel (following her short story collection, A Private State), in which three generations of down-to-earth young women weathered by adversity seek less steady but sufficiently tractable men for taming, childbearing, then marriage. For Margaret in Saskatchewan in 1933, her daughter, Hilda, in Toronto, and her daughter, Danielle, in Paris, the more things change, the more they stay the same. All these women are strong, reserved, sensual, practical and capable of one major move, after which they settle down, eternally faithful to their offspring and the mate from whom they are parted only by death. Each man has one or two salient characteristics (Davis is a secret lover of beauty, Armand deals in antiques and generosity, Osman in secrets and gambling), but each couple is similarly devoted, and apart from a mother-in-law or two, sufficient one to the other. No one has friends outside the family. These are quiet people who communicate largely without talking, so the dialogue is limited, apart from pointed stories about earlier generations. Bacon's rather detached third-person narrative, which moves from husband to wife, also keeps the reader at a distance. But her prose has a pleasing simplicity that makes the book a quick and pleasurable read, and she captures moments well, as when Danielle and Osman, getting serious, "sat there for a few more minutes, quietly measuring each other's capacity for danger." Cool as the novel can be, its conclusion, set in 1990s New York, where Osman moves with their children, Sophie and Sasha, after Danielle's death, glows with a hard-won warmth.
