Women on the Verge
-
- $11.99
-
- $11.99
Publisher Description
Veteran editor Susan Fox Rogers brings together a collection of essays centered on the "ecstatic experience" (i.e. non-sexual) in lesbian life.
In this lively, eclectic collection, veteran anthologist Susan Fox Rogers explores the passionate experiences of lesbians that exist outside of sex and/or romance. From an essay on "being" Superman as a kid to ones on rafting and sky-diving; from being arrested for political activism to the overwhelming and complicated urge to procreate, these pieces seek to represent the unexplored territory in modern lesbian life. Including work from Lucy Jane Bledsoe, Marcia Munson, Karla Jay, Linnea Due, among many others, these personal essays and memoirs with their sharp insight and complexly rendered moments, pairing humor with serious political thought, make up a wholly original and utterly compelling anthology in Women on the Verge.
PUBLISHERS WEEKLY
Outdoorswoman and sports maven Rogers (Another Wilderness) chronicles yet another round of adventure stories about lesbians, involving river rafting, skydiving, rock climbing, racquetball and other activities. Interspersed among these sporty tales are slightly disjunctive pieces--in which a woman details her quest to become pregnant; a political protest goes awry; and a lesbian gets an anonymous phone call from two teenage girls--that are linked to the others only by the book's broad subtitle. Although Rogers asserts in her introduction that she sought to include "more of the complexity of life" beyond the eroticism that often defines lesbianism, many of these tales are deeply sexual, particularly B.K. Loren's gritty "Eye of the Storm," Judith Nichols's sensual "Naming and Other Tricks of Learning" and Marcia Munson's sex-driven "Burger King Baby." As it happens, the stories without a sexual element don't seem particularly lesbian. The best pieces--Gretchen Legler's bittersweet "Lake One, Lake Two...," Donna Steiner's lyrical "Connect the Dots" and Lucy Jane Bledsoe's ruminative "On Being at Sea"--explore interior landscapes laid bare by the challenges of the outdoors. Some pieces provide stunning visual moments: poet Eileen Myles gets lost "stalking" a volcano in the dark in "The Big Island." But despite glints of excitement, most of these tales lack narrative power: all are memoirs or episodic vignettes, and few have real direction or focus.