The Country Life
A Novel
-
-
3.4 • 18 Ratings
-
-
- $11.99
-
- $11.99
Publisher Description
A New York Times Notable Book of the Year
Winner of the Somerset Maugham Award
The Country Life, Rachel Cusk’s third novel, is a rich and subtle story about embarrassment, awkwardness, and being alone; about families, or the lack of them; and about love in some peculiar guises.
“A brilliant oxymoron—a serious farce . . . Cusk’s ability to keep us interested in innumerable human collisions is uncanny.” —The New Yorker
Stella Benson sets off for Hilltop, a tiny Sussex village housing a family that is somewhat larger-than-life. Her hopes for the Maddens may be high, but her station among them—as au pair to their irascible son, Martin—is undeniably low.
What could possibly have driven her to leave her home, job, and life in London for such rural ignominy? Why has she severed all contact with her parents? And why is she so reluctant to talk about her past?
PUBLISHERS WEEKLY
Whitbread winner Cusk's first novel to appear in America is a touching, hilarious narrative by a modern-day Jane Eyre who renounces her life in London in the hope of finding an uncomplicated existence in the Sussex countryside. After a frenzied throwing out of "every vestige of love I had ever earned," unhappy, solitary Stella arrives in a tiny village to answer an advertisement for the job of caretaker to Martin Madden, the handicapped son of a rich farming family. Stella is prone to an "inner derangement": by the end of her second day among the nutty Maddens, she has broken out in hives, walked through a thorny hedge to avoid the front door, acquired a terrible sunburn and vomited. "It seemed incredible that so much could have gone wrong in so short a time," she laments. Cusk's hyperbolic descriptions of these and the many other calamities in Stella's everyday life demonstrate that her desire to "exist in a state of no complexity whatever" will prove to be impossible, especially since her surly charge, Martin, is, in her early estimation, an "evil dwarf." Cusk has a marvelous knack for revealing character in a few deft lines of dialogue; Stella herself is utterly lovable and her pain genuine. Later, when Stella and Martin have grown close, he tells her,"Everyone has to face things. It's the only way." Stella's particularly poignant attempt at facing her own inner oppression--and the surprising secrets in her past--will win Cusk many new readers, who will be eager to find her previous work, Saving Alice and The Temporary.
