I Am Not Jackson Pollock
Stories
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- $11.99
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- $11.99
Publisher Description
A bewitching collection of short fiction-haunting and hypnotic meditations on art, movies, literature, and life
A circus elephant named Topsy was executed at Coney Island in the year 1900 for killing a man. That's true. So is the life of Saartjie (Sar-key) Baartman, the Hottentot Venus, who was herself a circus act in the first half of the nineteenth century. What is myth is the Indian god Ganesha, whose head was lopped off by his father, Shiva, and replaced-with an elephant's head-by his disconsolate mother, Parvati. In John Haskell's expert hands, these three curious strands are ingeniously woven together in one story called "Elephant Feelings."
And so it goes with the rest of these dreamy meditations on the lives of artists, actors, writers, and musicians who are at once painfully human and larger than life. In "Dream of a Clean Slate," Jackson Pollock the man struggles with the separation he feels from Jackson Pollock the artist; in "The Judgment of Psycho," Haskell probes the sexual dynamic of Janet Leigh and Anthony Perkins in Psycho, and then delves into a different relationship, the one between Hector and Paris in the Iliad; Orson Welles presides over the long story "Crimes at Midnight," a tense evocation of desire and its consequences. Haskell has written a series of myths for modern times, stories about the ways in which we are distant from ourselves and about the way art can sometimes help us imagine other worlds and other possibilities. It is an astonishing debut.
PUBLISHERS WEEKLY
Haskell evades definition in his audacious debut collection, creating an innovative blend of fact and fiction and deliberately eliding the difference between them. Most of the nine stories are imaginative extrapolations of the lives of real people (or, in some cases, real animals), such as the eponymous painter and his wife, Lee Krasner; Psychostars Janet Leigh and Anthony Perkins; Laika, the first dog in space; and Saartjie, the early 19th-century South African woman brought to London as the famous sideshow attraction the Hottentot Venus. Haskell mixes anecdotes from the lives of these artists and celebrities with fictitious events to compose deceptively simple vignettes in which he distills and clarifies moments of intense psychological struggle. Jackson Pollock sees a beautiful woman as he enters a bar in "Dream of a Clean Slate," "but he was feeling a thing he called nervousness, a feeling in his body that he didn't like, so he stopped at the bar for a drink, a whiskey... part of him -his desire goes to the girl, and the rest of him stays at the bar, drinking and trembling." In "The Faces of Joan of Arc," Mercedes McCambridge, the voice of the devil in The Exorcist, tries vainly to stop drinking; actress Renee Falconetti tries to understand her role as the title character in The Passion of Joan of Arc; and an aging Hedy Lamarr shoplifts a tawdry department store dress. "Elephant Feelings" weaves together the stories of the Hottentot Venus; Topsy, the elephant whose electrocution was famously captured on film in the 1900s; and the Indian god Ganesh, half man, half elephant. Betrayal and humiliation, coupled with an inability to communicate, drives all three to acts of violent rage. Haskell subtly explores questions of exploitation and agency through the eyes of his celebrity characters, winking all the while at his own attempts to get into their heads. His hypnotic writing creates its own genre, unsettling and quietly bizarre.