Seeing Ghosts
A Memoir
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4.5 • 10 Ratings
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- $12.99
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- $12.99
Publisher Description
This "graceful, captivating" (New York Times Book Review) story from a singular new talent paints a portrait of grief and the search for meaning as told through the prism of three generations of her Chinese American family—perfect for readers of Helen Macdonald and Elizabeth Alexander.
Kat Chow has always been unusually fixated on death. She worried constantly about her parents dying---especially her mother. A vivacious and mischievous woman, Kat's mother made a morbid joke that would haunt her for years to come: when she died, she'd like to be stuffed and displayed in Kat's future apartment in order to always watch over her.
After her mother dies unexpectedly from cancer, Kat, her sisters, and their father are plunged into a debilitating, lonely grief. With a distinct voice that is wry and heartfelt, Kat weaves together a story of the fallout of grief that follows her extended family as they emigrate from China and Hong Kong to Cuba and America. Seeing Ghosts asks what it means to reclaim and tell your family’s story: Is writing an exorcism or is it its own form of preservation? The result is an extraordinary new contribution to the literature of the American family, and a provocative and transformative meditation on who we become facing loss.
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PUBLISHERS WEEKLY
Journalist Chow writes longingly about her mother, who died from cancer, in this intimate debut about a life shaped by loss. "It is not incorrect to say that for years, the way my family grieved my mother was to avoid acknowledging her altogether," she writes. In an effort to preserve her mother's memory after her mother's death in 2004, Chow traced the story of her mother's life, from her birth in China in 1955 through her troubled marriage with Chow's father in Connecticut to her painful last days. Woven in are several other family specters, including her maternal grandmother's death at age 41 ("it seemed all the Yu women died young"); generational schisms caused by the Chinese Communist Party; and the infant death of Chow's older brother. While deep emotion drives her writing, Chow generally avoids oversentimentality and buoys what could otherwise be an overwhelmingly despondent narrative with bursts of joy and irreverence—such as memories of her mother's fondness for "kissing books" and playing pranks on her children. The result is a moving depiction of grief at its most mundane and spectacular.
