At the Same Time
-
- £8.99
-
- £8.99
Publisher Description
'These sixteen pieces brim over with vitality . . . every one of them opening up fresh lines of thought' John Gray, New Statesman
At the Same Time contains sixteen illuminating essays by Susan Sontag with a preface by David Rieff.
The sixteen essays represent the last pieces written by Susan Sontag in the years before her death in 2004. Reflecting on literature, photography and art, post 9/11 America and political activism, these essays encompass the themes that dominated Sontag's life and work, revealing why she remains one of the twentieth century's preeminent writers and thinkers.
'One of America's greatest public intellectuals' Observer
'Excellent and essential' Financial Times
'Reads like a greatest-hits album - a little politics, something on photography, some lit. crit. - of Sontag's passions' Daily Telegraph
'Sontag's clear thinking . . . shines like a spotlight in dark places' The Times
PUBLISHERS WEEKLY
Literature and politics are inextricably intertwined and unified by moral purpose in this powerful collection of pieces (a couple not previously published in English or at all) by iconic critic and novelist Sontag (Regarding the Pain of Others), who died in 2004. Sontag was a dedicated champion of literature in translation, and the book opens with several introductions to such works, led off by a meditation on beauty. The section might have been called "Art and Ardor," so laced is it with artistic passion, both Sontag's own and that of the writers she celebrates, such as Leonid Tsypkin and Anna Banti. Part three contains speeches Sontag gave in accepting the Jerusalem Prize and other awards, and honoring others whose moral courage she admired. But most striking is to re-read the pieces she wrote in the wake of 9/11 and the Abu Ghraib scandal, which constitute the book's middle section. Sontag's controversial attack on the Bush administration immediately after 9/11 may have been an act of courage or of folly, but from a distance of five years, her critique seems on the mark. Sontag's brilliance as a literary critic, her keen analytical skill and her genius for the searingly apt phrase (like her damning "the photographs are us" in relation to the Abu Ghraib photos) are all fiercely displayed here.
