Phone
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- £4.99
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- £4.99
Publisher Description
'WHATEVER YOU DO hang on to the phone. . . . . . . . ! . . . . . . . . ! Feel the smoothness of its bevelled screen . . . . . . . . ! . . . . . . . . ! Place your thumb in the soft depression of its belly-button - turn it over and over. . . . . . . . ! . . . . . . . . ! A five hundred-quid worry bead - and all I worry about is losing the bloody thing. . . . . . . . ! . . . . . . . . !'
For the four characters at the heart of Will Self's brilliantly acute novel of our times the five hundred-quid worry bead in their pocket may be both a blessing and a curse. For elderly Dr Zachary Busner it is a mysterious object - 'NO CALLER ID - How should this be interpreted? Is it that the caller is devoid of an identity due to some psychological or physical trauma?' - but also it's his life line to his autistic grandson Ben, whose own connection with technology is, in turn, a vital one.
For Jonathan De'Ath , aka 'the Butcher', MI6 agent, the phone may reveal his best kept secret of all: that Colonel Gawain Thomas, husband, father, and highly-trained tank commander - is Jonathan 's long time lover.
And when technology, love and violence finally converge in the wreckage of postwar Iraq, the Colonel and the Spy's dalliance will determine the destiny of nations.
Uniting our most urgent contemporary concerns: from the ubiquitous mobile phone to a family in chaos; from the horror of modern war, to the end of privacy, Phone is Will Self's most important and compelling novel to date.
PUBLISHERS WEEKLY
In the hefty stream-of-consciousness conclusion to Self's ambitious trilogy (Umbrella, Shark), disconnected narratives collide, bringing long-hidden secrets to light. Zachary Busner, a retired psychiatrist, embarks on a spiritual journey that requires him to come to terms with the Alzheimer's blurring his reality. Despite his criticism of modern technology's emphasis on data-gathering, he carries a constantly ringing smartphone with him, programmed by his autistic, technology-adept grandson to provide him with an illusion of continued independence. Meanwhile, Jonathan De'Ath, a British intelligence officer who goes by the moniker "The Butcher," falls in love and pursues a furtive long-term relationship with a handsome, closeted soldier named Gawain. As Gawain rises through the army ranks and Jonathan's carefully kept records of their phone booth conversations and remote bed-and-breakfast liaisons build, they weigh the consequences of keeping their affair hidden. Self's densely cerebral prose leaps between narratives, disregarding linear storytelling and paragraph breaks in favor of extended musings that are often intelligent and periodically insightful. It's less than subtle, however, in how heavily it hammers home messages about the dehumanizing impacts of war, screen-based communication, and psychological wounds that have never fully healed. But then again, Self hasn't built his career on subtlety.
