Twitterature
The World's Greatest Books Retold Through Twitter
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5.0 • 1 Rating
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- £4.99
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- £4.99
Publisher Description
From Oedipus: PARTY IN THEBES!!! Nobody cares I killed that old dude, plus this woman is all over me. Total MILF.
From Paradise Lost: OH MY GOD I'M IN HELL.
Perhaps you once asked yourself, 'What exactly is Hamlet trying to tell me? Why must he mince his words, muse in lyricism and, in short, whack about the shrub?' No doubt such questions would have been swiftly resolved were the Prince of Denmark a registered user on Twitter.com. This, in essence, is Twitterature.
From Hamlet: WTF IS POLONIUS DOING BEHIND THE CURTAIN???
Here are over 60 of the greatest works of literature - from Beowulf to Bronte, Kafka to Kerouac, Dostoevsky to Dickens - distilled in the voice of Twitter to their pithiest essence, providing everything you need to master the literature of the civilised world, while relieving you of the task of reading it.
From Dante's Inferno: I'm havin a midlife crisis. Lost in the woods. Shoulda brought my iPhone.
PUBLISHERS WEEKLY
The age of Twitter has arrived, and precocious young writers Aicman and Rensin have taken it upon themselves to redo the world's most beloved literary classics for the Status Update generation. Taking the point of view of the protagonist (sometime several), the duo translate everything from The Old Man and the Sea to The Aeneid to the graphic novel Watchmen in under 2800 characters (20 "tweets" of up to 140 characters each). Splitting the focus between succinct mimicry and anachronistic wackiness (from The Great Gatsby: "Two bad drives met. :O," "Gatsby is so emo. Who cries about his girlfriend while eating breakfast... IN THE POOL?"), Aicman and Rensin can reach moments of inspired hilarity; from Oedipus: "this woman is ALL OVER ME! Total MILF." Juvenile comic asides and texting abbreviations abound ("WTF is Mercutio talking about?"), as do titter-worthy internet cultural references (from Frankenstein: "Just did a bit-torrent-style grave robbery"), though the target audience probably won't have much interest in running commentary on Goethe, no matter how clever (or brief) it is. Readers who persevere will find structured wit and classic charm that belie the authors' 19 years, making this a promising curiosity for the wired literary enthusiast.
