When The Emperor Was Divine
-
-
4.0 • 2 Ratings
-
-
- £5.99
-
- £5.99
Publisher Description
'A compelling, powerful portrait of a terrible endurance. Terrific' The Times
Four months after Pearl Harbor, signs begin appearing up and down the West Coast instructing all persons of Japanese ancestry to report to 'assembly centers'. For one family - reclassified, virtually overnight, as unwelcome enemies - it is the beginning of a nightmare of oppression and alienation that will alter their lives forever.
There is the mother, reeling from the order to 'evacuate', and the daughter, travelling on the long train journey away from freedom. There is the son, who struggles to adapt to their new life in the dust of the Utah desert, and the father, who, after four bitter years in captivity, returns to his family a stranger.
Based on a true story, Julie Otsuka's powerful, deeply humane first novel tells of a forgotten generation who found themselves imprisoned in their own country, and evokes an unjustly overlooked episode in America's wartime history.
'Outstandingly accomplished and moving' Sunday Telegraph
'Exceptional' New Yorker
LONGLISTED FOR THE ORANGE PRIZE
WINNER OF THE ASIAN AMERICAN LITERARY AWARD 2003
WINNER OF THE AMERICAN LIBRARY ASSOCIATION ALEX AWARD 2003
PUBLISHERS WEEKLY
This heartbreaking, bracingly unsentimental debut describes in poetic detail the travails of a Japanese family living in an internment camp during World War II, raising the specter of wartime injustice in bone-chilling fashion. After a woman whose husband was arrested on suspicion of conspiracy sees notices posted around her neighborhood in Berkeley instructing Japanese residents to evacuate, she moves with her son and daughter to an internment camp, abruptly severing her ties with her community. The next three years are spent in filthy, cramped and impersonal lodgings as the family is shuttled from one camp to another. They return to Berkeley after the war to a home that has been ravaged by vandals; it takes time for them to adjust to life outside the camps and to come to terms with the hostility they face. When the children's father re-enters the book, he is more of a symbol than a character, reduced to a husk by interrogation and abuse. The novel never strays into melodrama Otsuka describes the family's everyday life in Berkeley and the pitiful objects that define their world in the camp with admirable restraint and modesty. Events are viewed from numerous characters' points of view, and the different perspectives are defined by distinctive, lyrically simple observations. The novel's honesty and matter-of-fact tone in the face of inconceivable injustice are the source of its power. Anger only comes to the fore during the last segment, when the father is allowed to tell his story but even here, Otsuka keeps rage neatly bound up, luminous beneath the dazzling surface of her novel.
