Wifedom
Mrs Orwell’s Invisible Life
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3.5 • 2 Ratings
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- £5.99
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- £5.99
Publisher Description
'Truly wonderful... Anna Funder has written another brilliant human portrait.' - Claire Tomalin
A BLAZING, GENRE-BENDING MASTERPIECE FROM ONE OF THE MOST INVENTIVE WRITERS OF OUR TIME
Looking for wonder and some reprieve from the everyday, Anna Funder slips into the pages of her hero George Orwell. As she watches him create his writing self, she tries to remember her own . . .
When she uncovers his forgotten wife, it's a revelation. Eileen O'Shaughnessy's literary brilliance shaped Orwell's work and her practical nous saved his life. But why - and how - was she written out of the story?
Using newly discovered letters from Eileen to her best friend, Funder recreates the Orwells' marriage, through the Spanish Civil War and WW II in London. As she rolls up the screen concealing Orwell's private life she is led to question what it takes to be a writer - and what it is to be a wife.
Compelling and utterly original, Wifedom speaks to the unsung work of women everywhere today, while offering a breathtakingly intimate view of one of the most important literary marriages of the 20th century. It is a book that speaks to our present moment as much as it illuminates the past.
'Simply, a masterpiece. Here, Anna Funder not only re-makes the art of biography, she resurrects a woman in full. And this in a narrative that grips the reader and unfolds through some of the most consequential moments - historical and cultural - of the twentieth century.' Geraldine Brooks, winner of the Pulitzer Prize for Fiction
PUBLISHERS WEEKLY
Eileen O'Shaughnessy, George Orwell's first wife, takes center stage in this potent biography. Funder (Stasiland), a former human rights lawyer, suggests that O'Shaughnessy, who married Orwell in 1936 and stayed with him until her death nine years later from a botched hysterectomy, was crucial to Orwell's success; she typed and edited his manuscripts, managed his correspondence, cooked his meals, nursed him through ill health, tolerated his sexual affairs, and even cleaned the outhouse at their country home. According to Funder, she also directly influenced some of her husband's most famous work, encouraging him to express his criticism of Stalinism as a satirical novel (Animal Farm) instead of the essay he had planned, and possibly inspiring 1984 with her poem "End of the Century, 1984," about "a dystopian future of telepathy and mind control." Funder pulls no punches when discussing Orwell's cruelty, taking him to task for allegedly demanding that O'Shaughnessy let him sleep with one of the "young Arab girls" he had been eyeing while the pair were traveling in Morocco. Stylistic flourishes enhance the account, most notably the novelistic interludes interspersing Funder's narration with first-person passages drawn from O'Shaughnessy's letters that recreate scenes from her life, such as lying ill in London while the city was bombed during WWII. Full of keen psychological insight and eloquent prose, this shines. Photos.
