Seven Houses in France
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- £5.99
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- £5.99
Publisher Description
1903, and Captain Lalande Biran, overseeing a garrison on the banks of the Congo, has an ambition: to amass a fortune and return to the literary cafés of Paris.
His glamorous wife Christine has a further ambition: to own seven houses in France, a house for every year he has been abroad.
At the Captain’s side are an ex-legionnaire womaniser, and a servile, treacherous man who dreams of running a brothel. At their hands the jungle is transformed into a wild circus of human ambition and absurdity. But everything changes with the arrival of a new officer and brilliant marksman: the enigmatic Chrysostome Liège.
PUBLISHERS WEEKLY
Atxaga has been compared to Conrad, but the writer's captivating literary anthropologies don't seek to edify or shed light on the human condition. In his new, shamefully enjoyable novel, set in the Belgian Congo in the early part of the last century, the arrival of a devout and taciturn young officer into a contingent of colorful colonial soldiers on a remote jungle outpost on the River Congo sets off a palpitating chain of events. Chrysostome Li ge is the best marksman in the Congo, a fact that his commander, the highfalutin poet-officer Capt. Lalande Biran, decides to use to his advantage first using Li ge to restore order in the bush, and then for more personal reasons. Captain Biran's beautiful wife wishes to acquire a seventh property in France, in fashionable St-Jean-Cap-Ferrat, "one of the most expensive places in the civilized world," forcing him to engage in a risky contraband scheme with his covetous subordinate, the psychotic Lieutenant Van Thiegel. Atxaga possesses an uncanny gift for details bordering on the forensic, and he breathes life into this bevy of invariably perfectly pitched characters from Captain Biran's cowardly orderly Donatien to the mysterious Club Royal bartender Livo, who finally decides to take matters into his own hands when Van Thiegel perpetuates one final, inexcusable outrage. Nearly impossible to put down, Atxaga's thrilling colonial masterpiece pulses with a kind of elemental power, like the Congo River itself.