The Garden of Last Days
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- £4.99
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- £4.99
Publisher Description
One early September night, at the moment before the world changes, a young woman brings her daughter to work.
April's usual babysitter, Jean, has had a panic attack that's landed her in hospital. April doesn't really know anyone else, so decides it's best to have her three-year-old daughter close by, watching children's videos in the office, while she works.
But April is a stripper at the Puma Club for Men. And tonight she has an unusual client, a foreigner both remote and too personal, and free with his cash. His name is Bassam. Meanwhile, another man, AJ, has been thrown out of the club for holding hands with his favourite stripper, and he's drunk and angry and lonely.
From these explosive elements comes a relentless, raw, searing, passionate page-turning narrative, a big-hearted and painful novel about sex and parenthood, honour and masculinity. Set in the seamy underside of American life at the moment before the world changed, it juxtaposes lust for domination with hunger for connection, sexual violence with family love. It seizes the reader by the throat with the same psychological tension, depth and realism that characterised Andre Dubus's bestselling House of Sand and Fog - and with an even greater sense of the dark and anguished places in the human heart.
PUBLISHERS WEEKLY
Dubus's ambitious if uneven follow-up to House of Sand and Fog begins shortly before 9/11 with stripper April taking her three-year-old daughter, Franny, to work after the babysitter flakes at the last minute. Though she leaves Franny with the club's house mother and intends to keep tabs on her, April's distracted on the floor by Bassam, a Muslim who's in Florida to take flying lessons and (like one of the real 9/11 hijackers) spends early September 2001 throwing around money and living lasciviously. Meanwhile, AJ, a down-on-his-luck local, lingers in the parking lot after getting thrown out for touching a dancer. The slow-starting plot splinters once Franny wanders outside and disappears. Soon, AJ's wanted for kidnapping, April's run through the social service wringers as an unfit parent, and the murky particulars of Bassam's mission come into sharp focus as he struggles with his religious convictions. Dubus gives the breath of life to most of his characters (Bassam not so much), though the narrative has a mechanical feeling, partially owing to the narrow emotional register Dubus works in: doom and desperation are in plentiful supply from page one, and as the novel fades to black, the reader's left with a roster of sadder-but-wiser Americans to contemplate.