A War Imagined
The First World War and English Culture
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- £9.99
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- £9.99
Publisher Description
Between the opulent Edwardian years and the 1920s the First World War opens like a gap in time. England after the war was a different place; the arts were different; history was different; sex, society, class were all different.
Samuel Hynes examines the process of that transformation. He explores a vast cultural mosaic comprising novels and poetry, music and theatre, journalism, paintings, films, parliamentary debates, public monuments, sartorial fashions, personal diaries and letters.
Told in rich detail, this penetrating account shatters much of the received wisdom about the First World War. It shows how English culture adapted itself to the needs of killing, how our stereotypes of the war gradually took shape and how the nations thought and imagination were profoundly and irretrievably changed.
PUBLISHERS WEEKLY
According to Hynes ( The Auden Generation ), WW I engendered a sense of idealism betrayed, turned high-mindedness into cynicism and gave rise to resentment of politicians as the conviction emerged that the war was meaningless, fought for no good cause. Calling this cluster of attitudes the ``Myth of the War,'' Hynes shows how these received views, filtered through the '30s generation of Auden, Orwell, Waugh and Greene, became ``the truth about war.'' In this splendid study, the Princeton professor of literature draws on novels, poems, films, plays, paintings, music and diaries to show how WW I fostered radical discontinuity with the past, an upsurge in images of violence and cruelty, and the alienation of a ``lost generation''; and intensified pacificist and women's rights activism. Photos.
