Cold Light
(Resnick 6)
-
-
4.0 • 3 Ratings
-
-
- £3.99
-
- £3.99
Publisher Description
'Forty-eight hours, that's what they reckon, isn't it? Forty-eight hours. If you don't find them in that, likely they're sodding dead...'
A cabbie's just been beaten up, there's a drunk and disorderly in the interview room and a possible child abuser on the way in. Nothing unusual there, then, just a pretty normal Christmas holiday for DI Resnick and his team.
Normal, that is, until Dana Matthieson calls to report her flatmate, Nancy, missing.
Dana's had a pretty grim Christmas herself: she's been sexually harassed by her boss, and may even have lost her job as well as her friend. Pretty soon the police have proof that Nancy was kidnapped, and then - as the New Year celebrations wind down - the first tape arrives, and Resnick knows they're dealing with a dangerous psychopath.
PUBLISHERS WEEKLY
Harvey's sixth industrial-strength procedural featuring Nottingham copper Charlie Resnick is built of small, delicate images: a young mother warms her hands before touching her sleeping baby in a stone-cold council house; Resnick, foraging in his fridge for the makings of a sandwich, wistfully glances at the face of Billie Holliday on the front of a boxed set of CDs he has just bought himself for Christmas, though he has yet to purchase a CD player. When Nancy Phelan, a social worker, goes missing after a holiday dance, the divorced Resnick meets Dana, her flatmate, and escapes his self-imposed isolation for a brief passionate moment. Nancy's most recent lover is a likely suspect, but the case against him falters and Resnick falls into depression. A number of city cab drivers are robbed and beaten; the cops are looking for someone with a dragon tattoo and very fair hair. The elderly father of a woman cop falls ill; a killer strikes and then takes another victim ; Resnick lets the affair with Dana self-destruct through fear and forgetfulness. Harvey, a poet in thin disguise, constructs his plot masterfully, meting out surprises in subplots that reach their conclusions with sudden, unsynchronous credibility.
