In the Rooms
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- £3.99
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- £3.99
Publisher Description
You meet everyone in the rooms...
English literary agent Patrick Miller came to New York dreaming of joining the big league, only to find himself selling celebrity dog books.
But when he spots the legendary novelist Douglas Kelsey on the street and follows him into an AA meeting, a world of opportunity beckons. Patrick enters a den of sex addicts, junkies and pill-poppers, all rubbing shoulders with the reclusive Kelsey.
Who knew that sobriety offered such networking possibilities? Or that the women would be so attractive?
There's only one small problem. Patrick doesn't have a problem - not with alcohol, nor with drugs, just with that little thing they call the truth. As everyone is beginning to find out...
Part Nick Hornby, part Jay McInerney, with a dash of vermouth, In the Rooms is a warm, sharply observed comedy about sex, lies and second chances.
PUBLISHERS WEEKLY
A flailing London literary agent relocates to New York and delves into the wilds of business and unlikely recovery in Shone's wry debut novel (after the pop film history Blockbuster). With his romantic life shelved and his work increasingly shaky, Patrick Miller has a chance close encounter with his faded literary hero, Douglas Kelsey, and impulsively follows him into what turns out to be an AA meeting. Patrick protests he doesn't belong at these meetings, more pointedly when he's greeted with unfamiliar generosity of spirit by a lively assortment of recovering alcoholics, but he keeps showing up in an effort to secure the rights to Douglas's long-delayed novel. Patrick's bafflement at recovery jargon is laced with rueful observations ("You were alcoholic just by virtue of being British, of course"), and as Patrick's quest for a literary coup deepens into friendship with the brusque but funny novelist, so does his relationship with Lola, a slightly too wise, slightly too perfect young woman. Shone's comic tone keeps a happier than expected ending free of mawkishness and offers some guarded optimism and self-acceptance, notions that work their way into Patrick's character with a hard-earned grace.
