The Irish Game
A True Story of Art and Crime
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- £5.99
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- £5.99
Publisher Description
Vermeer, Goya, Rembrandt, Rubens - the Beit art collection was worth millions. For decades Sir Alfred and Lady Beit had lived peacefully at Russborough House in Ireland. Until people started stealing their paintings...Of all the canvases at Russborough, it was Vermeer's Lady Writing a Letter with her Maid that most caught the public's imagination. Twice stolen, once by an IRA sympathiser and then by notorious gangster Martin Cahill, it risked being lost from view forever, unless the Garda, together with Scotland Yard and some seasoned international art detectives, could contrive the perfect sting...
Matthew Hart tells the riveting story of the theft and recovery of some of the world's most important art, finding new leads and unexpected connections in the mysterious underworld of international art crime.
PUBLISHERS WEEKLY
In this engaging account of how stolen paintings have become collateral in the international drug trade, starting with the 1974 theft of a priceless Vermeer from an Irish estate, British author Hart (Diamond: A Journey to the Heart of an Obsession) offers a convincing revisionist view of the closest thing the book has to a protagonist, legendary Irish thug Martin Cahill (aka "The General"). The case that the "slovenly, loyal, suspicious, immovable" Cahill was no mastermind, however, tends to render the narrative more prosaic than dramatic, as does the argument that most heists, including the sensational 1990 robbery from Boston's Isabella Stewart Gardner Museum and the 1994 theft of Edvard Munch's The Scream, involved more chutzpah and embarrassing security lapses than Topkapi-like planning. The author's primary strength lies in his character portraits he describes one upper-class art thief as rooting around "in the issues of the day like someone picking through a bin for a hat that would fit." The dedicated Irish police who tracked these criminals and attempted numerous stings to recover the paintings deserve credit for their heroism, but they aren't particularly memorable. Still, Hart sheds light on a little-known area of modern crime that should be of interest to many general readers.