Portrait of an Unknown Lady
-
- £9.99
-
- £9.99
Publisher Description
In this dazzling story of art and illusion, secrets and schemes, who is to be trusted - and what is real?
From the internationally acclaimed author of Optic Nerve
*A TLS Book of the Year*
'A writer who feels immediately important' Observer
At a hotel in Buenos Aires, a woman checks in under a pseudonym. She wears a black fur shawl and has no luggage. She is alone.
Over the coming days and nights, she tells a story, which begins with a secret shared in a local bath house, revealing art forgery and fraud on a dazzling scale. At its heart is an enigmatic genius who for years forged portraits of the city's elite, before disappearing without trace. It is a story of influence and intrigue, in which nothing is as it seems. We're not to expect 'names, numbers or dates', she cautions, but a more subtle kind of reckoning...
Told in a mordant, irresistible voice and full of sharp surprises, Portrait of an Unknown Lady is a captivating enquiry into what we mean by 'authenticity', in life as in art. At once poised and capricious, elegant and bold, it is a thrilling exploration of the relationships between what is lived, what is told, what is remembered, and what is real.
Translated from the Spanish by Thomas Bunstead
PUBLISHERS WEEKLY
Gainza (Optic Nerve) returns with a ruminative account of the pursuit of a master forger who has gone off the grid in a dreamy Buenos Aires. The unnamed narrator, a young woman, works for art authenticator Enriqueta Macedo, who for decades has been fraudulently authenticating paintings forged by a woman named Renée, who specialized in passing off works of Mariette Lydis, one of the country's greatest portraitists ("They resemble women about to turn into animals, or animals not since long made human," the narrator says of Lydis's subjects). Gainza paints an impressionistic group portrait of artist, authenticator, and forger: Lydis's flight from Nazi-occupied Vienna to Argentina, recounted through an auction catalog ("Painting is worth more if there's a story behind it"); Enriqueta's initiation as a young woman into a group called the Melancholical Forgers, Inc.; and Renée's reign during the "golden age of art forgery." The narrator, who after Enriqueta's death becomes an art critic, is intrigued by Renée as a biographical subject, and embarks on a quest to track down the long-since-disappeared counterfeiter. Digressions, aphorisms, and dead ends pile up along the way in a hypnotic search defined by "Sehnsucht... the German term denoting a melancholic desire for some intangible thing." The characters' incertitude and the narrative's lack of resolution only intensify the mysterious communion Gainza evokes between like-minded souls. This captivating work is one to savor.
